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Lincoln Park Zoo Regenstein African Journey, Chicago
The Lincoln Park Zoo welcomes 3 million
visitors each year, and the facility's intimate setting allows
guests to experience the excitement of the exhibits.
The zoo recently completed a new animal and visitor facility,
the Regenstein African Journey.
Its predecessor, the Regenstein Large Mammal House, was originally
designed and built in the early 1970s. Since then, animal
conservation and display philosophies have changed dramatically,
thus requiring renovation and reconfiguration of the 60,000-sq.-ft.
building.
The Regenstein African Journey features large, lush habitats
for African animals: wild dogs, aardvarks, giraffes, elephants
and more. The $23 million facility opened in May 2003.
Exhibit Features
The original concrete building structure was completely gutted.
This allowed for the installation of massive skylights that
permit natural light and the transformation of the interior
from a bare-bones animal enclosure to a richly themed environment.
A new entry with African motifs was designed that is sympathetic
in material and scale to the other historic zoo buildings
on the campus. Two new exterior plazas have also been developed
that allow for special visitor gatherings and celebrations.
An immersion environment was designed so that visitors could
travel through a variety of African ecosystems featuring native
animals and plants. Also included is the greatly expanded
exterior exhibit featuring animals of the African savanna.
Receiving Materials in Zoo
The facility is in the center of the zoo campus with no street
access. Coordinating the materials that came into the site
was key.
Deliveries were received before 9 a.m. each day, and vehicles
came in on existing paths. Visitor paths that encircle the
building were kept open, resulting in high pedestrian traffic
surrounding the site and the need for care.
The large number of materials - terrazzo, wood plants, rubber
flooring, masonry, vinyl - meant that the carefully coordinated
staging within in S-shaped facility was important.
The project started in the summer, and early hurdles included
the concrete roof framing and 10,000 sq. ft. of aluminum-framed
skylights. These tasks were accomplished ahead of the first
winter while simultaneously working on structures and utilities
below.
Gazing at Glazing
Four critical acrylic glazing panels were installed that
ranged in size from the 4-ft.-radius cockroach viewing panel
to the 12,000-lb., double-curved panel for the hippopotamus
viewing area.
These custom exhibits were made with five separate factory-bonded
belly panels. The 32 ft. long, 11 ft. high, 10 ft. wide belly
unit was moved and set with two cranes and a series of chain
falls after traveling through a 100-ft.-long obstacle course
inside the building.
The first two acrylic panels were designed for the cockroach
viewing and crocodile viewing areas. They were coordinated
to be set through the last remaining skylight opening.
The hippopotamus exhibit was the middle section, and the final
piece contained an 11,000-lb., 7-in.-thick cichlid (African
carp) viewing panel. No panels could be removed, but the cichlid
panel could not be installed without a big impact on the schedule.
To overcome this, the concrete mezzanine above the panels
was completed prior to the concrete foundations below so that
the panel could be craned and chain-falled into the cichlid
tank below the mezzanine in a trench.
The deep underground life support system piping needed for
feeding the crocodile, hippopotamus and other exhibit tanks
was released late. This was addressed by creating a second
deep sump that raised the depth of the gravity-drained piping.
Close coordination with all trades resulted in the complete
installation by the first snowfall.
Other hurdles involved exhibits and animal needs, and all
exhibits and visitor areas are themed. Twenty-foot-tall palm
trees were installed to create an atmosphere where visitors
have full immersion in a rain forest, dry forest and Lake
Malawi bed.
Graphics, interactive exhibits and lighting were installed
after moving the animals into the building eight months ahead
of the opening to begin assimilation.
The general contractor on the project self-performed the wrap
up animal holding shop drawings and took charge of walking
the owner and design team through the critical value engineering.
The jury said, "This was a complicated project that took
extraordinary coordination. The exhibits were open while reconstruction
was under way. The mechanical/electrical requirements of each
independent ecosystem added to the complexity of the job."
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